Welchen Beatle mögt ihr am meisten?
- Ersteller Devil
- Erstellt am
Da fehlen aber einige Kandidaten: Tommy Moore, Pete Best, Stu Sutcliffe und für einige auch Billy Preston.
Na ja, Umfragenkönig Devil kennt ja nicht mal den kompletten Künstlernamen von Ringo und bestimmt gar nicht den richtigen Namen besagten Musikers.
Ich würde dann mit meinem Lieblingsbeatle (der es aber nur für eine LP war) mal sagen: "Nothing from Nothing Leaves Nothing" oder "That's the Way God Planned it".
Na ja, Umfragenkönig Devil kennt ja nicht mal den kompletten Künstlernamen von Ringo und bestimmt gar nicht den richtigen Namen besagten Musikers.
Ich würde dann mit meinem Lieblingsbeatle (der es aber nur für eine LP war) mal sagen: "Nothing from Nothing Leaves Nothing" oder "That's the Way God Planned it".
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Stuart Sutcliffe
Für Devil:
Stuart Sutcliffe was born in Edinburgh, Scotland, on June 23, 1940. At 19, Stu was regarded as one of the most talented and promising students at the Liverpool Art College, when he met fellow art student John Lennon. All of the girls liked Stu because of his moody, romantic scowl, sunglasses, and resemblence to James Dean. Stu even lived like an artist, in a cramped, paint splattered house near the school. John lived there with Stu for a time, spending long nights drinking and sharing their passions for art.
When Stu sold a painting in 1959 for £65, an unheard-of sum for a student's painting in those days, John convinced him to buy a bass guitar and join the band, never mind that he couldn't play. Before their first big break, a two-week tour to Scotland backing Johnny Gentle, Stu is partially credited with coming up with the name Beatles, by jokingly suggesting "Beetles" as a play on Buddy Holly's Crickets. Back in Liverpool, violence was common at the shows they played at, and one night, after a show at Litherland Town Hall in the north of Liverpool, the Silver Beatles were ambushed as they made their way out into the car park to their van. In the fight, Stu went down and was kicked in the head. Later at home, still bleeding from the gash in his head, he refused to let his mother call a doctor.
While in Hamburg, Stu met Klaus Voorman, who introduced him to Astrid Kirchherr, and they quickly fell in love. Astrid changed Stu's clothes and gave him a new, distinctive hair style, which all the Beatles later adopted. While on their second Hamburg t rip, Stu started to study art again, at the Hamburg State Art College, where Astrid had studied, allowing him to quit the Beatles gradually. When the tour ended and the rest of the Beatles went back to Liverpool in 1961, Stu stayed in Hamburg with Astrid . Stu died on April 10, 1962, from a brain hemmorrhage, following a series of violent headaches. Ironically, the Beatles were to arrive the next day to start their third Hamburg tour.
(Quelle: http://www.beatlesagain.com)
Für Devil:
Stuart Sutcliffe was born in Edinburgh, Scotland, on June 23, 1940. At 19, Stu was regarded as one of the most talented and promising students at the Liverpool Art College, when he met fellow art student John Lennon. All of the girls liked Stu because of his moody, romantic scowl, sunglasses, and resemblence to James Dean. Stu even lived like an artist, in a cramped, paint splattered house near the school. John lived there with Stu for a time, spending long nights drinking and sharing their passions for art.
When Stu sold a painting in 1959 for £65, an unheard-of sum for a student's painting in those days, John convinced him to buy a bass guitar and join the band, never mind that he couldn't play. Before their first big break, a two-week tour to Scotland backing Johnny Gentle, Stu is partially credited with coming up with the name Beatles, by jokingly suggesting "Beetles" as a play on Buddy Holly's Crickets. Back in Liverpool, violence was common at the shows they played at, and one night, after a show at Litherland Town Hall in the north of Liverpool, the Silver Beatles were ambushed as they made their way out into the car park to their van. In the fight, Stu went down and was kicked in the head. Later at home, still bleeding from the gash in his head, he refused to let his mother call a doctor.
While in Hamburg, Stu met Klaus Voorman, who introduced him to Astrid Kirchherr, and they quickly fell in love. Astrid changed Stu's clothes and gave him a new, distinctive hair style, which all the Beatles later adopted. While on their second Hamburg t rip, Stu started to study art again, at the Hamburg State Art College, where Astrid had studied, allowing him to quit the Beatles gradually. When the tour ended and the rest of the Beatles went back to Liverpool in 1961, Stu stayed in Hamburg with Astrid . Stu died on April 10, 1962, from a brain hemmorrhage, following a series of violent headaches. Ironically, the Beatles were to arrive the next day to start their third Hamburg tour.
(Quelle: http://www.beatlesagain.com)
Pete Best
Speziell für Devil (aus http://www.beatlesagain.com):
Pete Best, born Randolph Peter Best in Madras, India on November 24, 1941, joined the Beatles, John, Paul, George, and Stu Sutcliffe, in late 1960. Their previous drummer, Tommy Moore, had left earlier in the year. Pete's mother, Mona Best, ran The Casbah Club, a cellar club in Hayman's Green, where the Beatles had been playing. When Allan Williams got the Beatles booked to play two months in Hamburg, Pete was asked to join the group. Pete was very quiet in Hamburg, he did not partake of the uppers the way everyone else did, and spent alot of his off time out of the company of the others. The girls in Hamburg were wild over him, and would shout at him on the stage in English and German.
The other Beatles thought Pete was a pretty good drummer, but then in Hamburg they heard and met Ringo. When the Beatles and Pete returned to Liverpool, Mona acted as the booking agent for what she considered "Pete's band". She got them introduced into the Cavern Club. Pete played on "My Bonnie" and the other tracks recorded with Tony Sheridan for Bert Kaempfert in Germany.
In November 1961, Brian Epstein became the Beatles' manager, and in April, 1962, Brian succeeded in getting them an audition with George Martin at Parlophone, which happened on June 6. By this time, both Paul and George were encouraging Brian to help them get rid of Pete, to bring on Ringo permanently, who had been filling in for Pete with the Beatles every now and then. In late July, George Martin commited to recording the Beatles. When George Martin told Brian that he didn't care for Pete, and that they would use another drummer on the sessions, he didn't know the Beatles were already thinking the same thing. Brian told him during a lunch time meeting in his office on August 15. Mersey Beat broke the news on August 23. Pete Best fans were outraged. Petitions signed by hundreds were received at Mersey Beat. Cries of "Pete Best Forever---Ringo, never!" were heard at the Cavern Club. The following Monday, one of the many scuffles outside the Cavern Club resulted in a black eye for George Harrison.
Speziell für Devil (aus http://www.beatlesagain.com):
Pete Best, born Randolph Peter Best in Madras, India on November 24, 1941, joined the Beatles, John, Paul, George, and Stu Sutcliffe, in late 1960. Their previous drummer, Tommy Moore, had left earlier in the year. Pete's mother, Mona Best, ran The Casbah Club, a cellar club in Hayman's Green, where the Beatles had been playing. When Allan Williams got the Beatles booked to play two months in Hamburg, Pete was asked to join the group. Pete was very quiet in Hamburg, he did not partake of the uppers the way everyone else did, and spent alot of his off time out of the company of the others. The girls in Hamburg were wild over him, and would shout at him on the stage in English and German.
The other Beatles thought Pete was a pretty good drummer, but then in Hamburg they heard and met Ringo. When the Beatles and Pete returned to Liverpool, Mona acted as the booking agent for what she considered "Pete's band". She got them introduced into the Cavern Club. Pete played on "My Bonnie" and the other tracks recorded with Tony Sheridan for Bert Kaempfert in Germany.
In November 1961, Brian Epstein became the Beatles' manager, and in April, 1962, Brian succeeded in getting them an audition with George Martin at Parlophone, which happened on June 6. By this time, both Paul and George were encouraging Brian to help them get rid of Pete, to bring on Ringo permanently, who had been filling in for Pete with the Beatles every now and then. In late July, George Martin commited to recording the Beatles. When George Martin told Brian that he didn't care for Pete, and that they would use another drummer on the sessions, he didn't know the Beatles were already thinking the same thing. Brian told him during a lunch time meeting in his office on August 15. Mersey Beat broke the news on August 23. Pete Best fans were outraged. Petitions signed by hundreds were received at Mersey Beat. Cries of "Pete Best Forever---Ringo, never!" were heard at the Cavern Club. The following Monday, one of the many scuffles outside the Cavern Club resulted in a black eye for George Harrison.
Billy Preston
Speziell für Devil:
Billy Preston Portfolio
It's well known that he played keyboard with the Beatles on Let It Be, but Billy Preston is also associated with the history of the Beatles in many ways over the years.
Billy Preston was born on September 9, 1946 in Houston Texas. At age twelve he had a cameo role in a film about W.C. Handy, St. Louis Blues, in which he played the composer as a child. Already an established keyboard session player in America, then fifteen year old Billy Preston first met the Beatles in 1962 in Hamburg while he was touring with Little Richard. Because of their closeness in ages, he and George Harrison became close friends. Billy got to spend much time with the Beatles and see them perform during this exciting time.
Billy went on to play keyboards for Sam Cooke, and also in the band on the Shindig TV show. His first charting record was an instrumental gospel album, The Most Exciting Organ Ever, for Vee Jay records in 1966. This is another interesting parallel in the careers of Billy Preston and the Beatles, as Vee Jay was also still releasing Beatles records in the U.S. at this time.
The next time he toured Britain, this time with Ray Charles, he and George met up again, and the Beatles decided to buy his recording contract from Vee Jay and sign him to their new Apple label.
Billy as Sgt. Pepper
At the time, the Beatles were heavily into the making of Let It Be, which was becoming a very unhappy chore because of tensions in the group. George brought Billy in to play keyboards on some of the tracks, as the orginal idea of Let It Be was to be a "live" recording with no overdubbing, which left none of them to add things like a keyboard part. But, George also hoped that bringing in an outsider would make the others behave nicer and make the Let It Be set a happier place to be, and it worked, albeit temporarily. The Get Back single was credited as "The Beatles with Billy Preston", the first time another artist was credited on a Beatles record, gaining him the title in some circles as "the fifth Beatle". In addition, although you can barely see it in the Let It Be movie, Billy played with the group on the famous "Rooftop Concert", the Beatles last live appearance together.
George Harrison co-produced two albums for Apple with Billy, and in addition to playing guitar on some of the tracks himself, had some friends come in to play as well, including Klaus Voormann, Keith Richard, Ginger Baker and Eric Clapton. Billy's relationship with the Beatles continued even after their breakup. Billy performed with George at the Concert for Bangla Desh at Madison Square Garden, and played on these George Harrison albums: All Things Must Pass, Extra Texture, Dark Horse and 33 1/3. He also played on John's Plastic Ono Band and Sometime in New York City albums, and with Ringo on the Ringo and Goodnight Vienna albums.
Billy had many gold singles in the early seventies, including Will It Go 'Round In Circles (the flip-side of which is pictured above), Nothing From Nothing and Outa Space, which also won the Grammy as Best Pop Instrumental. In 1975 he wrote You Are So Beautiful, which became a big hit for Joe Cocker, and he also toured with the Rolling Stones. And in 1978, Billy Preston's Beatles connection came full circle as he appeared with the Bee Gees in the title role of Robert Stigwood's movie Sgt. Pepper's Lonely Hearts Club Band, music produced by George Martin.
This page updated January 5, 2002.
Speziell für Devil:
Billy Preston Portfolio
It's well known that he played keyboard with the Beatles on Let It Be, but Billy Preston is also associated with the history of the Beatles in many ways over the years.
Billy Preston was born on September 9, 1946 in Houston Texas. At age twelve he had a cameo role in a film about W.C. Handy, St. Louis Blues, in which he played the composer as a child. Already an established keyboard session player in America, then fifteen year old Billy Preston first met the Beatles in 1962 in Hamburg while he was touring with Little Richard. Because of their closeness in ages, he and George Harrison became close friends. Billy got to spend much time with the Beatles and see them perform during this exciting time.
Billy went on to play keyboards for Sam Cooke, and also in the band on the Shindig TV show. His first charting record was an instrumental gospel album, The Most Exciting Organ Ever, for Vee Jay records in 1966. This is another interesting parallel in the careers of Billy Preston and the Beatles, as Vee Jay was also still releasing Beatles records in the U.S. at this time.
The next time he toured Britain, this time with Ray Charles, he and George met up again, and the Beatles decided to buy his recording contract from Vee Jay and sign him to their new Apple label.
Billy as Sgt. Pepper
At the time, the Beatles were heavily into the making of Let It Be, which was becoming a very unhappy chore because of tensions in the group. George brought Billy in to play keyboards on some of the tracks, as the orginal idea of Let It Be was to be a "live" recording with no overdubbing, which left none of them to add things like a keyboard part. But, George also hoped that bringing in an outsider would make the others behave nicer and make the Let It Be set a happier place to be, and it worked, albeit temporarily. The Get Back single was credited as "The Beatles with Billy Preston", the first time another artist was credited on a Beatles record, gaining him the title in some circles as "the fifth Beatle". In addition, although you can barely see it in the Let It Be movie, Billy played with the group on the famous "Rooftop Concert", the Beatles last live appearance together.
George Harrison co-produced two albums for Apple with Billy, and in addition to playing guitar on some of the tracks himself, had some friends come in to play as well, including Klaus Voormann, Keith Richard, Ginger Baker and Eric Clapton. Billy's relationship with the Beatles continued even after their breakup. Billy performed with George at the Concert for Bangla Desh at Madison Square Garden, and played on these George Harrison albums: All Things Must Pass, Extra Texture, Dark Horse and 33 1/3. He also played on John's Plastic Ono Band and Sometime in New York City albums, and with Ringo on the Ringo and Goodnight Vienna albums.
Billy had many gold singles in the early seventies, including Will It Go 'Round In Circles (the flip-side of which is pictured above), Nothing From Nothing and Outa Space, which also won the Grammy as Best Pop Instrumental. In 1975 he wrote You Are So Beautiful, which became a big hit for Joe Cocker, and he also toured with the Rolling Stones. And in 1978, Billy Preston's Beatles connection came full circle as he appeared with the Bee Gees in the title role of Robert Stigwood's movie Sgt. Pepper's Lonely Hearts Club Band, music produced by George Martin.
This page updated January 5, 2002.
Tommy Moore
Speziell für Devil:
Quelle:http://www.hausarbeiten.de/faecher/hausarbeit/enh/15926.html
Early in 1960 the band changed their name to "The Moondogs" and continued playing performances with a band consisting of John, Paul, George, Stuart and Tommy Moore their drummer. Also they hired a manager, Allan Williams, who found them their drummer and began to try to find them work. Again they decided to change their name. Stuart suggested "The Beetles" with double e, but John thought it would look better spelled "The Beatles" with an a. However, their manager didn′t like it and wanted them to change it to "Log John and the Silver Beetles", John shortened it to just " The Silver Beetles" and so once again they had a name. Next "The Silver Beetles" began a tour of Scotland with Johnny Gentle. A few of them fabricated stage names for the tour, like Paul could himself "Ramone". After their tour, they came home and filled in on Monday′s at their manager′s bar in Liverpool.
Tommy Moore, their drummer, decided to leave the band to return to his job. They audition Pete Best for their drummer and asked him to join the band. Their manager booked the group for a two-month job in Hamburg. Before they left they made their final name change to "The Beatles".
Speziell für Devil:
Quelle:http://www.hausarbeiten.de/faecher/hausarbeit/enh/15926.html
Early in 1960 the band changed their name to "The Moondogs" and continued playing performances with a band consisting of John, Paul, George, Stuart and Tommy Moore their drummer. Also they hired a manager, Allan Williams, who found them their drummer and began to try to find them work. Again they decided to change their name. Stuart suggested "The Beetles" with double e, but John thought it would look better spelled "The Beatles" with an a. However, their manager didn′t like it and wanted them to change it to "Log John and the Silver Beetles", John shortened it to just " The Silver Beetles" and so once again they had a name. Next "The Silver Beetles" began a tour of Scotland with Johnny Gentle. A few of them fabricated stage names for the tour, like Paul could himself "Ramone". After their tour, they came home and filled in on Monday′s at their manager′s bar in Liverpool.
Tommy Moore, their drummer, decided to leave the band to return to his job. They audition Pete Best for their drummer and asked him to join the band. Their manager booked the group for a two-month job in Hamburg. Before they left they made their final name change to "The Beatles".
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Nicky Hopkins? (Anita Pallenberg? :laugh2: )
Allerdings waren die offiziellen Stones-Bandmitglieder schon mehr als 5. Nämlich....nachzähl........ 7. Die "Nachfolger" von Bill Wyman und Charlie Watts nicht mitgezählt.
Edit: Mein Lieblingsbeatle ist John Lennon - vor George Harrison und Stuart Sutcliffe.
Paul McCartney hat doch meist nur öde Schnarchsongs komponiert.
Allerdings waren die offiziellen Stones-Bandmitglieder schon mehr als 5. Nämlich....nachzähl........ 7. Die "Nachfolger" von Bill Wyman und Charlie Watts nicht mitgezählt.
Edit: Mein Lieblingsbeatle ist John Lennon - vor George Harrison und Stuart Sutcliffe.
Paul McCartney hat doch meist nur öde Schnarchsongs komponiert.
Ian Stewart.
Der begnadete Pianist war Gründungsmitglied der Stones, wurde aber von deren Manager aussortiert, da er zu hässlich war für Live-Auftritte ( Stewart war durch eine Kinderkrankheit im Gesicht entstellt, glaube ich) und wurde Roadmanager der Gruppe. Auf verschiedenen Plattenaufnamen ("Let it Bleed", "Emotional Rescue") wirkte er jedoch mit und glänzte!
Ist 1985 an einem Herzinfarkt verstorben.
Der begnadete Pianist war Gründungsmitglied der Stones, wurde aber von deren Manager aussortiert, da er zu hässlich war für Live-Auftritte ( Stewart war durch eine Kinderkrankheit im Gesicht entstellt, glaube ich) und wurde Roadmanager der Gruppe. Auf verschiedenen Plattenaufnamen ("Let it Bleed", "Emotional Rescue") wirkte er jedoch mit und glänzte!
Ist 1985 an einem Herzinfarkt verstorben.
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Ach ja - der auch noch. Und Andrew Oldham gehörte als bad-boys-Manager ja auch irgendwie dazu.
Zuletzt bearbeitet von einem Moderator:
Zu Ian Stewart: http://users.skynet.be/stones/ian.htm
Born in 1938, died in 1985 of a stroke in London. Stewart reacted to an add of Brian Jones in Jazz News, they were both looking for a band. So, Stu was with The Stones from the very beginning, and he wanted to be with 'em till the end. He was an excellent boogie woogie pianist, and was frequently asked by other groups. Ian went into history as the sixth Stone. He wasn't a real member of the Stones (covers of albums...) because the producer of The Rolling Stones (Andrew Loog Oldham) said he was to ugly. Stu plays on songs like Little By Little, Let It Bleed and Emotional Rescue. The Rolling Stones dedicated their album Dirty Work to Stewart, thanking him for 25 years of boogie woogie. Real fans must have noticed that at the end of the Dirty Work album, there's a little piece of piano music... Thanks Stu !
und
http://de.wikipedia.org/wiki/Ian_Stewart_(Musiker)
Ian Stewart (* 18. Juli 1938 in Pittenweem, Schottland; † 12. Dezember 1985 in London) war ein britischer Pianist und gehörte zu den Gründungsmitgliedern der Rolling Stones. Da er durch sein Aussehen nicht zu den anderen Mitgliedern der Gruppe passte (vorstehendes Kinn als Folge einer Kinderkrankheit), schloss ihn der Manager Andrew Loog Oldham 1963 aus der Gruppe aus, engagierte ihn jedoch als Road Manager und Pianospieler bei Plattenaufnahmen.
Ian Stewart prägte durch seinen Boogie-Sound sehr viele Songs der Rolling Stones. Das beste Beispiel ist wahrscheinlich der Song Around and around von 1964. Als Road Manager trug er seinen Teil zum Erfolg der Gruppe bei, obwohl er wahrscheinlich zeitlebens unter der Kränkung litt, ausgeschlossen worden zu sein. Gelegentlich spielte er bei anderen Gruppen mit (Led Zeppelin, wo er im Song Stu's Boogie verewigt ist, oder Ronnie Lane). Auf den Tourneen USA 1975, Europa 1976 und USA 1981, Europa 1982 begleitete er die Rolling Stones auch auf der Bühne am Piano.
Ian Stewart starb unvermittelt am 12. Dezember 1985 an einem Herzinfarkt. Die Rolling Stones gaben ihm zu Ehren zusammen mit den Gästen Eric Clapton und Pete Townshend ein Gedenkkonzert im Londoner 100 Club.
Born in 1938, died in 1985 of a stroke in London. Stewart reacted to an add of Brian Jones in Jazz News, they were both looking for a band. So, Stu was with The Stones from the very beginning, and he wanted to be with 'em till the end. He was an excellent boogie woogie pianist, and was frequently asked by other groups. Ian went into history as the sixth Stone. He wasn't a real member of the Stones (covers of albums...) because the producer of The Rolling Stones (Andrew Loog Oldham) said he was to ugly. Stu plays on songs like Little By Little, Let It Bleed and Emotional Rescue. The Rolling Stones dedicated their album Dirty Work to Stewart, thanking him for 25 years of boogie woogie. Real fans must have noticed that at the end of the Dirty Work album, there's a little piece of piano music... Thanks Stu !
und
http://de.wikipedia.org/wiki/Ian_Stewart_(Musiker)
Ian Stewart (* 18. Juli 1938 in Pittenweem, Schottland; † 12. Dezember 1985 in London) war ein britischer Pianist und gehörte zu den Gründungsmitgliedern der Rolling Stones. Da er durch sein Aussehen nicht zu den anderen Mitgliedern der Gruppe passte (vorstehendes Kinn als Folge einer Kinderkrankheit), schloss ihn der Manager Andrew Loog Oldham 1963 aus der Gruppe aus, engagierte ihn jedoch als Road Manager und Pianospieler bei Plattenaufnahmen.
Ian Stewart prägte durch seinen Boogie-Sound sehr viele Songs der Rolling Stones. Das beste Beispiel ist wahrscheinlich der Song Around and around von 1964. Als Road Manager trug er seinen Teil zum Erfolg der Gruppe bei, obwohl er wahrscheinlich zeitlebens unter der Kränkung litt, ausgeschlossen worden zu sein. Gelegentlich spielte er bei anderen Gruppen mit (Led Zeppelin, wo er im Song Stu's Boogie verewigt ist, oder Ronnie Lane). Auf den Tourneen USA 1975, Europa 1976 und USA 1981, Europa 1982 begleitete er die Rolling Stones auch auf der Bühne am Piano.
Ian Stewart starb unvermittelt am 12. Dezember 1985 an einem Herzinfarkt. Die Rolling Stones gaben ihm zu Ehren zusammen mit den Gästen Eric Clapton und Pete Townshend ein Gedenkkonzert im Londoner 100 Club.
kurt-cobain
Nachwuchsspieler
Mein Lieblingsbeatle war schon von Anfang an Lennon. McCartney war mir schon immer zu glatt, zu allem ja und Amen sagen...
Lennon war einfach der rebellische Zyniker, und er hat imo auch viele richtige Dinge gesagt.
Von den Sololiedern später ganz zu schweigen. Paul ist dann ganz zum Pop gegangen und John hat unvergesslich schöne Lieder gemacht... Von der schönsten Ballade aller Zeiten (Imagine, aber auch "Oh My Love" ist sehr schön) zu den ganzen ernsthaften Liedern (hier möchte ich besonders "God" herausheben, WAS FÜR EIN TEXT, aber auch "Working Class Hero" oder "Woman is the ****** of the world" waren/sind absolute Lieblingslieder)
George der ruhige hat mich nie vom Sockel gerissen und Ringo war zwar ein lustiger Kerl, aber auch nie in Johns Liga :love3:
Lennon war einfach der rebellische Zyniker, und er hat imo auch viele richtige Dinge gesagt.
Von den Sololiedern später ganz zu schweigen. Paul ist dann ganz zum Pop gegangen und John hat unvergesslich schöne Lieder gemacht... Von der schönsten Ballade aller Zeiten (Imagine, aber auch "Oh My Love" ist sehr schön) zu den ganzen ernsthaften Liedern (hier möchte ich besonders "God" herausheben, WAS FÜR EIN TEXT, aber auch "Working Class Hero" oder "Woman is the ****** of the world" waren/sind absolute Lieblingslieder)
George der ruhige hat mich nie vom Sockel gerissen und Ringo war zwar ein lustiger Kerl, aber auch nie in Johns Liga :love3:
kurt-cobain schrieb:
Imagine ist wirklich wunderschön.Aber auch "Jealous Guy" is super. Aber Lennon/Mc Cartney haben zusammen hundert geniale Lieder geschrieben und sind in ihrer Kretivität unerreicht. Ich weiß halt nie genau wer welches Lied gescchrieben hat.Aber als Solokünstler finde ich wie gesagt Lennon besser.
kurt-cobain
Nachwuchsspieler
Devil schrieb:
Das stimmt so nicht wirklich. Lennon hat viele super Songs geschrieben, McCartney ebenfalls, aber die haben sie jeweils alleine geschrieben, und es wurden halt alle Songs als Lennon/McCartney verkauft da dieser Namen schon nach kurzer Zeit einfach für hohe Qualität stand und so beide davon profitierten.
kurt-cobain
Nachwuchsspieler
Devil schrieb:
Am Anfang sicherlich (also in der ganz frühen Zeit), aber später wohl kaum noch welche
Also der hat meines Wissens nur Yellow Submarine "gesungen"
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aaaargh! Ringo Starr hat zwar bei manchen Liedchen den Leadgesang gebrummt, aber dies hauptsächlich, weil ihm Paul McCartney den Gefallen tat, einen Song abzutreten, für den Ringos Stimme geeignet war.
Es gab durchaus "Starkey-Lieder": auf dem weißen Album oder auch "Octopussy's Garden" auf Abbey Road.
Ansonsten gilt, was kurt cobain schon angedeutet hat: das Komponistenpaar Lennon/McCartney hat es eher aus (musik=verlags) -rechtlichen Gründen gegeben.
Es muß halt jemand angegeben werden - z.B. in Deutschland bei der GEMA - der kompositorisch verantwortlich zeigt. Da sich die erfolgreichen Beatles-Kompositionen zu je 50% aus der fruchtbaren Konkurrenz des Könnens vion Paul und des Avantgardismus von John speisten, war es sinnvoll, dies zu einem Komponistenpaar zusammenzufassen.
In Wahrheit sah das eher so aus: "Across the Universe" = John; "Yesterday" = Paul.
Es gab zusätzlich einige bemerkenswerte Kompostionen von George - z.B. "Here comes the sun" - aber eigentlich nix von Ringo.
Der war und blieb halt nur der - immerhin solide - Drummer. Und da gab es weitaus schlechtere, als ihn. Aber definitiv war er der unwichtigste Beatle...
Es gab durchaus "Starkey-Lieder": auf dem weißen Album oder auch "Octopussy's Garden" auf Abbey Road.
Ansonsten gilt, was kurt cobain schon angedeutet hat: das Komponistenpaar Lennon/McCartney hat es eher aus (musik=verlags) -rechtlichen Gründen gegeben.
Es muß halt jemand angegeben werden - z.B. in Deutschland bei der GEMA - der kompositorisch verantwortlich zeigt. Da sich die erfolgreichen Beatles-Kompositionen zu je 50% aus der fruchtbaren Konkurrenz des Könnens vion Paul und des Avantgardismus von John speisten, war es sinnvoll, dies zu einem Komponistenpaar zusammenzufassen.
In Wahrheit sah das eher so aus: "Across the Universe" = John; "Yesterday" = Paul.
Es gab zusätzlich einige bemerkenswerte Kompostionen von George - z.B. "Here comes the sun" - aber eigentlich nix von Ringo.
Der war und blieb halt nur der - immerhin solide - Drummer. Und da gab es weitaus schlechtere, als ihn. Aber definitiv war er der unwichtigste Beatle...